I took part in Art Matters for four days this April 2026, That were filled with beauty and unforgettable moments.

But perhaps the most meaningful thing I gained from this experience wasn’t only exhibiting my work, but the warm companionship of fellow artists—the conversations, the shared presence, and the feeling of being surrounded by art and people who truly understand it.

From the very first day, during the artwork drop-off, I had a special encounter with the artist Sharifa Hind Al Nasser, who suggested a particular way of displaying my paintings. Her vision was thoughtful and inspiring, and I felt confident following her advice. What meant even more was her support and kind words, which I deeply value, as well as the way she warmly introduced me to others, sharing in my excitement.

Behind this exhibition was a dedicated and inspiring organizing team: Dima, Zaina, Nesreen Faroun, and Noor. In a short time, they transformed a nearly abandoned space into a vibrant, living environment—filled with music, beauty, stunning artworks, and people who brought life into every corner.

During the exhibition, I presented a selection of my abstract works exploring the connection between humans and the natural world—not as a direct or realistic representation, but as something rooted in memory and the subconscious. Inspired by the landscapes of Wadi Mujib, these works were shaped through earthy tones and fluid elements that echo water and terrain. Through abstraction, I aimed to express a quiet, intuitive bond between the human presence and the land—a connection that is felt more than it is seen.

I’m also deeply grateful for the support of my friends, family, and everyone who came, stood in front of my work, and shared their thoughts and feelings. These moments, no matter how simple they may seem, stay with me and become an essential part of my artistic journey.

On the final day, there were moments that truly stayed with me. The visit of the artist Ammar Khammash, and his words that still echo in my mind:

“Not all artworks belong everywhere. Some belong only in exhibitions, and some belong everywhere.”

His words gave me a deeper perspective on the place and presence of art. Unfortunately I don't have a picture for that moment but its in my heart.

I also clearly remember what Mr. Mazen Asfour said as he stood in front of my paintings:

“I feel like I can breathe in front of these works.”

This touched me deeply, because these pieces were truly created in a space where I could breathe—a personal space I escaped to, where I found calm, distance, and myself.

They were just four days, but they left a lasting impact—

an imprint of art, of people, and of honest moments that are hard to replicate.